Good evening viewers,it is my great horror...sorry...honour (maybe both) to continue with this painful analogy.
This fine lady, @mwixxy7 shared in my agony and dug deep into her experiences in the not-always-as-glamorous music industry to continue with some of those not-so-pleasant scenarios I shared in Bend Over. Without further ado, I present, Bend Over:Part 2.
So in solidarity with @msupastar and the other gigging musicians out there, we continue with the peeves of those working their backsides off in the music industry and facing almost insurmountable but not totally impossible mountains.
Scenario 4: Every musician has friends. Unfortunately there are friends/fans and “friends”/”fans”. Friends/fans will hear or read about your gig and show up with five or more pals in tow, buy an album or two and yell the loudest as you do your thing. “Friends” or “fans” will however keep your phone ringing off the hook, pestering you for complimentary tickets, asking you to put their name on a ‘list’ so they don’t have to pay or not even bother to show at all. All the notable greats began in their backyard, local watering hole, church and school-borrow a leaf? No make that the whole tree.
Scenario 5: Back to the corporate gig clients; surely! Must an artist send a tutorial along with their bid so as to get decent moolah? After weeks of negotiation only to hear, “We’ll just go with a regular DJ” is so inane I can barely type. Package 101: Bands have people. These people play instruments and sing. This combination of instruments and singing is entertainment. Entertainment is work. Work denotes pay. Pay the workers. Or should I highlight this in corporate blue? Scenario 6: Dear Viewers, (especially to all ya’ll who think being on tv or radio means rolling in the benjis…) Videos, singles, albums and all that goes into brand building cost money to begin, grow and maintain. Not even some of the big names in the industry can lay claim to living solely on their trade and so the pressure for gigging musicians to dish out ‘hits’ every two weeks(tongue in cheek) or so is simply nonsense. Resources go into rehearsals, equipment, transport, wardrobe, extra hands, promotional material(including those free tickets ;-) It’s basically insane. Cut an artist some slack, will ya? Signed: Gigging Musician
Sent from my BlackBerry®
This fine lady, @mwixxy7 shared in my agony and dug deep into her experiences in the not-always-as-glamorous music industry to continue with some of those not-so-pleasant scenarios I shared in Bend Over. Without further ado, I present, Bend Over:Part 2.
So in solidarity with @msupastar and the other gigging musicians out there, we continue with the peeves of those working their backsides off in the music industry and facing almost insurmountable but not totally impossible mountains.
Scenario 4: Every musician has friends. Unfortunately there are friends/fans and “friends”/”fans”. Friends/fans will hear or read about your gig and show up with five or more pals in tow, buy an album or two and yell the loudest as you do your thing. “Friends” or “fans” will however keep your phone ringing off the hook, pestering you for complimentary tickets, asking you to put their name on a ‘list’ so they don’t have to pay or not even bother to show at all. All the notable greats began in their backyard, local watering hole, church and school-borrow a leaf? No make that the whole tree.
Scenario 5: Back to the corporate gig clients; surely! Must an artist send a tutorial along with their bid so as to get decent moolah? After weeks of negotiation only to hear, “We’ll just go with a regular DJ” is so inane I can barely type. Package 101: Bands have people. These people play instruments and sing. This combination of instruments and singing is entertainment. Entertainment is work. Work denotes pay. Pay the workers. Or should I highlight this in corporate blue? Scenario 6: Dear Viewers, (especially to all ya’ll who think being on tv or radio means rolling in the benjis…) Videos, singles, albums and all that goes into brand building cost money to begin, grow and maintain. Not even some of the big names in the industry can lay claim to living solely on their trade and so the pressure for gigging musicians to dish out ‘hits’ every two weeks(tongue in cheek) or so is simply nonsense. Resources go into rehearsals, equipment, transport, wardrobe, extra hands, promotional material(including those free tickets ;-) It’s basically insane. Cut an artist some slack, will ya? Signed: Gigging Musician
Sent from my BlackBerry®